My late father would don his feathers and buckskin leggings and dance usually near the equinox or solstice and sometimes if he wanted to call snow for some fresh powder turns during winters in the mountains. He would also call coyotes. One evening when I was 11, I was alone on an evening walk with him in the forest near our cabin in Big Bear Lake, when he started calling them. He had his homemade bow and some store bought arrows he was shooting at pinecones between calls. The cacophony of coyote response calls increased with every call he made. It was quite a memory. This is the second version of this monotype painting. They were painted together, not one after the other. Sometimes while painting, an alternate choice presents itself. Working with monotypes, I'm easily able to follow those alternatives. I painted this original with soy inks and drawing materials on 100% cotton paper.
My late father would don his feathers and buckskin leggings and dance usually near the equinox or solstice and sometimes if he wanted to call snow for some fresh powder turns during winters in the mountains. He would also call coyotes. One evening when I was 11, I was alone on an evening walk with him in the forest near our cabin in Big Bear Lake, when he started calling them. He had his homemade bow and some store bought arrows he was shooting at pinecones between calls. The cacophony of coyote response calls increased with every call he made. It was quite a memory. This is the second version of this monotype painting. They were painted together, not one after the other. Sometimes while painting, an alternate choice presents itself. Working with monotypes, I'm easily able to follow those alternatives. I painted this original with soy inks and drawing materials on 100% cotton paper.
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